My creative process begins digitally, where I use software to design the outlines of my imaginary portraits. Once the design is complete, I print it onto a specialized foil. This is where my work becomes hands-on: I carefully cut out the foil to shape the final form. The medium I work with is thick, high-quality paper, which serves as the canvas. I protect it with layers of masking tape and paper before applying the paint.
Next, I use multiple layers of vibrant acrylic spray paint, followed by a clear coat to seal the layers. The foil is then applied, and I spray again to create the perfect contrast. Once the foil is removed, the outlines are revealed, unveiling the portrait. The final touch is a protective layer of clear coat to preserve and protect the piece.
What truly sets my work apart is the glowing effect it possesses under black light. The layers of color and the interaction with ultraviolet light give the portraits an entirely new dimension, transforming them into an immersive experience that shifts between the visible and invisible.
